The results of how the camera performed under challenging conditions in real life situations where a lot of dynamic range is required was pretty good. By controlling infrared in this way, custom photographic effects and night vision imagery are possible. 5.7K Super 35mm Sensor. V-Log / V-Gamut. 5.7K RESOLUTION Dynamic range measures the luminance range that a digital camera can capture. Canon C300 mark II - 4k 422 320mbps. The EVA1 captures the full V-Log/V-Gamut range of colours to effectively record high dynamic range and broad colours. It contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. The newly-designed EVA1 sensor is Super 35 sized (24.60mm x 12.97mm) with 5.7K resolution. The value of dynamic range that can be represented does not change even when the value of [KNEE POINT] changes. Sony FS5 - UHD 420 … EVA1 also supports Panasonic’s unique dual-native ISO sensitivity first introduced with the flagship VariCam line-up. The first part of the scene was filmed in the half-light, almost in the dark. This sensor delivers cinematic images with ease. Highlight Roll-off. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. It has forever changed the … With two SD card slots, you can capture footage either with simultaneous dual recording or continuous relay recording. V-Log/V-Gamut capture are also on board to deliver high dynamic range. Panasonic color: Panasonic’s color palette is neutral and naturalistic, and it’s often compared to ARRI’s color. Because of its compact form factor, it can also be mounted on a drone, gimbal rig or jib arm for smoother complex camera moves. ... Filmmaker Barry Green, author of “A Guide to the Panasonic AU-EVA1 Camera”, gives an overview of the EVA1. EVA1 imports the renowned colorimetry of the VariCam lineup of cinema cameras. In a future firmware update, 400Mbps recording will be added. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. The EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). Hands on with the EVA1: 5.7K … For high frame rate video, the EVA1 records up to 59.94fps/50fps for 4K/UHD, up to 120fps/100fps for 2K/Full HD, or 240fps/200fps for a cropped area. Unique photographic effects and night-vision imagery are possible with this control over infrared. CANON C200 VS PANASONIC EVA1. Director Mr. Masahiro Aida (UP SIDE Co., Ltd.) had the following to say about the EVA1. While the EVA ROP app allows control of primary settings on the camera, Panasonic has worked with RCP … The increased colour information from the 14 stops of dynamic range, capturing a high level of exposure detail, can result in more accurate, life-like images. The EVA1’s Dual Native ISOs are 800 and 2500, which allow cinematographers to shoot in almost any lighting environment. The Panasonic EVA1 was announced at Cinegear on Paramount’s backlot in Burbank, California. [D RANGE]: Determines the dynamic range that can be represented by the [KNEE SLOPE] value. The colors, the skin tones, and the dynamic range are all pleasing and what I want straight out of a camera. The camera uses a native EF lens mount, supporting many different EF cinema prime and zoom lenses from numerous manufacturers. For in-camera recording, you can capture in cinema 4K (4096 x 2160), UHD (3840 x 2160), 2K (2048 x 1080), full HD (1920 x 1080), and HD (1280 x 720). V-Log has log curve characteristics similar to negative film and V-Gamut delivers a color space even larger than film. Editing & Post-Production. Panasonic’s compact cinema camera EVA1 was used extensively during the shooting of TV Asahi’s season 17 of “Aibou,” which was broadcast from October 17. It utilizes a process that allows the sensor to be read in a fundamentally different way, extracting more information without degrading the image. It has the Panasonic colour science which made the VariCam range so popular and a good dynamic range. The Panasonic AU-EVA1 5.7K handheld cinema camera is distinguished by a pixel count of 5720 H x 3016 V (17.25 million), Dual Native ISO ratings of 800 and 2,500, and 14-stops of dynamic range. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. To capture more latitude, EVA1's Log format, V-Log, can capture up to 14 stops of dynamic range. An ungraded ProRes RAW shot from the EVA1 imported into FCP X and displayed using the Panasonic Vlog LUT. AU-EVA1 Firmware Upgrade Version 2.0. While this isn't as scientific as a dynamic range chart it still gives a rough idea of the dynamic range of the cameras. The AU-EVA1 is our Cinema Compact Camera with S35 5.7K Sensor, Dual Native ISO, 4K 4:2:2 10Bits & RAW and EF Mount. To control the EVA1 when positioned on a camera crane or in a remote location, a remote control app will be available for use on iOS and Android tablets. RGB parade display of the original ungraded shot in a PQ2020 HDR project Dynamic range That’s four more stops than the GH5. After watching this battle carefully, here are my thoughts. So I'd look to use the EVA1 for the wides where you might have more contrast and then the GH5S for the close ups. The EVA1 sensor has a Super-35 sized sensor, measuring 24.60mm x 12.97mm with 5.7K resolution supplying more than 17.25 million photosites, nearly double the 8.8 million photosites of 4K digital cinema resolution video. In addition, these filters are electronically driven and wireless remote control* is also possible. We had almost no light, and the entire range was stretched out in the shade. The 3.5in LCD touch screen holds the menu selections, zoom positioning and playback controls, and has an adjustable backlight control including a Power LCD mode for bright locations. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. The EVA1 offers both V-Log and HLG modes with 14 stops of dynamic range to fully utilize all 10 bits, too. In a future update, the EVA1 will be able to output 5.7K external RAW recording along with ALL Intra compression (400Mbps) for in-camera recording. photosites, nearly double the 8.8 million for 4K DCI (4096 x 2160). The ability to capture accurate colors and rich skin-tones is a must for any filmmaker. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. ... Fast forward to February 2019, and I'm on my way to … Dual native 800/2500 ISO offers impressive sensitivity with low noise, while high-frame-rate recordings at 4K/60 fps and 2K/240 fps beckon with new creative possibilities, as does the IR (infrared ray) cut-filter ON/OFF mechanism for surreal IR footage in Cinematography mode. EVA1 is built with imaging tools to support professional video productions, including peaking, image zoom, waveform, zebras and Y-Get spotmeter. I don't remember if Panasonic claimed it to be anymore than that … Adobe Speeds Up Export Times in New Creative Cloud Update. *Optional AJ-WM50 Wireless Module required. Or just be cognizant of the two stops less dynamic range. Weighing 1.2kg as a body-only unit in a compact design measuring 17cm x 13.5cm x 13.3cm and a removable handgrip, the EVA1 can be used handheld. The wide 14-stop dynamic range, V-Log gamma and wide-color-gamut V-Gamut colorimetry, which are inherited from the VariCam Series, ensure cinema-like pictures. By starting at a higher native resolution, the … Digital Media World. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver high dynamic range and broad colors. Contains V-Log/V-Gamut capture to deliver high dynamic range and the colorimetry of the VariCam line. V-Log has log curve characteristics suitable for HDR production, and V-Gamut records a colour space that will cover BT.2020. Codec options for the AU-EVA1 is now more clear, with 4:2:2 10-bit and 4:2:0 8-bit LongGOP codecs available from FullHD to 4K, ranging from 50 to 150 Mbps (VBR). Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. The LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video. The EVA1’s dual native ISOs are 800 and 2,500, which will allow cinematographers to shoot in almost any lighting environment. The EVA1 allows the infrared (IR) filter to be removed and replaced with a clear filter for extreme low-light conditions as a simple end-user configuration. In this video we tackle the Panasonic EVA 1 and it's dynamic range. Shooting Angel of Death on the San Diego Comic Con, Share Your Vision – EVA1 Video Contest [Playlist], Short film "Near to Superstition" shot on, Short film "Radio 88" - Behind the scenes. Panasonic's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. The 5.7K sensor is used to super-sample internal recordings, resulting in higher resolving images with less noise and artifacting when compared … down-sampled to 4K, UHD, 2K, or even 720p. Conversion LUTs, such as the free VariCam LUT Library , translates the flat V-Log material to a more restricted, yet contrasty, dynamic range and shifts the color space to match the monitor, bringing both parameters to a technical standard for viewing such as Rec.709. Each setting has the same signal to noise ratio – that is, the noise present at 2,500 ISO is nearly identical to noise at 800 because the information comes directly from the sensor in both cases, not by first trying to raise the gain and erase the noise. The EVA1’s USB port on the EVA1 works with several inexpensive Ethernet adapters to communicate between the camera and outside devices. ... With its wide dynamic range, the highlights are clearly preserved even after increasing the tone curve with color grading, and there is no color skipping in the … In a future firmware upgrade, EVA1 will use all Intra compression for in-camera recording, and 5.7K RAW output to third party recorders. Blackmagic URSA Mini Pro - 4.6k Prores 444. By starting at a higher 17.25 million pixels) sensor for capturing true cinematic images. A simpler approach than long GOP, Intra is editable frame-by-frame, without decoding. It has the same dynamics as the Sony FS7, but the URSA Mini Pro 4.6K beats it with 15 … The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. The same shot with a basic Rec.709 output grade. The Super 35 mm sensor achieves a wide color gamut known as V-Gamut, EVA1’s optimal color space that’s wider than BT.2020. Because Intra doesn’t go through GOP processing, decoding, recalculation and frame assembly,  image quality is more consistent. With a body weight of just 1.2 kg (2.6 lb. The EVA1 looks very good, too, but once you’ve tried Canon’s Dual Pixel Autofocus, nothing else will do. ), EVA1 is easy to shoot and comes with EF lens-mount (check lens compatibility before purchase). A circuit from each set is associated with each pixel, while the user switches between the two sets by selecting one of two modes, each capable of a clean, native ISO setting. Providing you get the basics right in-camera, straight out of the box you have a fantastic looking image that retains all of the detail and range in a very good log shooting format, which, if you're shooting people, produces outstanding skin tones. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. THE EVA1 5.7K SENSOR. Panasonic EVA1 - 4k 422 400mbps. Read More. Dynamic Range. The ND filter and IR Cut filter operate electronically so that wireless remote control can be set up from smartphones and tablets. Additionally, the increased color The dynamic range of the VariCam is 14+ stops with V-Log. EVA1 contains a Super 35 (24.60 mm x 12.97 mm) sensor that captures 5.7K resolution. With a wide 14-stop dynamic range, V-Log gamma, and wide-color-gamut V-Gamut colorimetry inherited from the VariCam Series, images are infused with the cinematic VariCam Look. EVA1 also displays focus squares, an array of green squares that grow in size when their local area appears to be sharp, to help shooters to achieve critical focus. information results in a finer, more accurate finished image. A 400% crop of the shot. Who is the Panasonic EVA1 aimed at? The dynamic range of the VariCam is 14+ stops with V-Log and the dynamic range of the EVA1 is 14 stops. The camera is also equipped with standard TimeCode functionality. Select the [SCENE FILE SETTINGS] menu → [KNEE] → [KNEE MODE] → [D RANGE]/[PRESS]. Electronic Image Stabilisation counterbalances camera shake and blurring for handheld shooting. V-Log delivers a very flat image while maintaining all of the color information within the image. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. AU-EVA1 - Professional Camera Solutions | Panasonic Business The AU-EVA1 can capture a wide range of exposure, dynamic range and color gamut. A one shot recording setting captures single frame video for stop motion capture. Availability of the AU-EVA1 5.7K cinema camera is expected before the end of 2017.  pro-av.panasonic.net, Copyright © Panasonic baited the public for the months prior by having the ... Another stand-out feature of the EVA1 is its 14 stops of dynamic range. The tests were performed in order to push the Canon C200 and the Panasonic EVA1 … Detachable handle and rotary grip, meanwhile, add a new dimension to mobility, enabling convenient camera attachment to drones and gimbals. An innovative color separation filter is optimized to offer natural color and accurate color linearity. The camera can record in several formats and compression rates, and supports up to 10-bit 4:2:2 even in 4K. It seems that dynamic range is always a spec that gets exaggerated. Panasonic also threw in their V-Log/V-Gamut capture to deliver a high dynamic range and great color rendition. The Panasonic AU-EVA1 contains a newly designed 5.7K Super 35mm-sized (5720 x 3016, approx. This wide dynamic range assures accurate image rendering, particularly from the critical shadow to highlight areas, providing transitions into the highlights that are remarkable. During this shootout, Zacuto put the Panasonic EVA1 and Canon C200 through a series of tests in order to try and declare a “winner”. Consequently, a cinematographer can switch from a standard sensitivity to a high sensitivity while using less artificial light on set, saving time and funds, with almost no increase in artefacts. And then, when you’re not shooting narrative cinema, you can shoot 4K to SD cards in MP4 for fast turnaround for clients who don’t want large files or heavy grading. V-Log has log curve characteristics that are somewhat reminiscent of negative film and V-Gamut delivers a colour space even larger than film gamut and BT-2020 gamut. The camera responds very well to tough and challenging lighting conditions. The camera can switch from a standard sensitivity to a high sensitivity with almost no increase in noise. By starting at a higher native resolution, the 5.7K sensor yields a higher resolving image when down-sampled to 4K, UHD, 2K or 720p. It has more dynamic range than the GH5 and looks pretty close. The controls on the adjustable handgrip include Menu, REC start/stop, Iris and two user buttons. It works for exactly the types of shoots I do. Housing a high-resolution 5.7K image sensor capable of rendering smooth 4K images inside a compact body, Panasonic's AU-EVA1 Compact 5.7K Super 35mm Cinema Camera is a flexible camera system ready for documentary, cinema, and live event production. 14 STOP DYNAMIC RANGE On first release, available bit rates will range from as low as 8Mbps up to 150Mbps, depending on frame rate, resolution and codec. The HDMI and SDI video outputs are both 4K-capable and each can be adjusted separately, allowing HD to be fed to a viewfinder or other third party monitor while 4K is sent to an outboard recorder or monitor. ... (RCP). It starts with just as much dynamic range as the Panasonic Log…but they add so much contrast to the Canon that the shadows crush and … Editing & Post-Production. However, in its category, it’s status quo. The ability to capture accurate colours and rich skin tones is a must for any filmmaker. So the main dynamic range was moved to the bottom of the characteristic curve. The EVA1's 14-stops of dynamic range produces a finer gradation in exposure from bright to dark. Panasonic claims the EVA1 has 14 stops of dynamic range. Like the VariCam lineup of cinema cameras, the EVA1 contains V-Log/V-Gamut capture to deliver broad colours with a capability of creating 14 stops of dynamic range. EVA1 features Panasonic’s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body. LCD monitor brings touch-panel convenience and allows flexible mounting. V-Log has log curve characteristics reminiscent of negative film, while V-Gamut delivers a color space even larger than film. To check the noise characteristics in shadow areas we put a black frame in the bottom right corner. The camera will be built with several different mounting points and Panasonic is currently working with accessory makers to allow users to customise the EVA1. Click to find out more. native resolution, the 5.7K sensor yields a higher resolving image when The EVA1 delivers 14 stops of Dynamic Range, enabling fine gradation in exposure from bright to dark image areas. ... 15 stops dynamic range. Panasonic's EVA1 Gets a Nice Touch Up with the New Firmware 2.0 Update. He or she can also shoot in almost any lighting environment, allowing more artistic choice and flexibility. The EVA1 delivers 14-stops of Dynamic Range, enabling fine gradation in exposure from bright to dark. EVA1 has dual balanced XLR audio inputs with Dolby Audio encoding. ... Red Dragon - 6k R3D 8:1. The ability to capture accurate colors and rich skin tones is a must for any filmmaker. Behind the lens mount, an integrated ND filter wheel in 2, 4, and 6 stops precisely controls exposure, and you can also swing the IR Cut out of the path to the sensor by pushing a button. With an active resolution of 5720 x 3016, the EVA1 delivers more than 17.25 million photosites, nearly double the 8.8 million for 4K … Panasonic 's final specifications for the upcoming AU-EVA1 5.7K handheld cinema camera include a pixel count of 17.25 million, dual native ISO ratings of 800 and 2,500, and 14 stops of dynamic range. Supporting independent filmmakers, the EVA1 records to widely available, low cost SD cards. Dual Native ISO gives cinematographers a greater variety of artistic choices and the ability to use less light on set. The EVA1 delivers 14-stops of dynamic range, enabling fine gradation in exposure from bright to dark. AZ: “Yes, and the Panasonic EVA1 faced quite complex challenges in this project. Contributing to more accurate colours and skin tones. The usable dynamic range of the GH5 is around 11 stops. From what I understand V Log and V Log Lite look pretty similar in terms of color, but the EVA1 has two stops more highlight dynamic range in the highlights. 2007 - 2020 A later flagship 4:2:2 10-bit Intra codec will be made available in a future release also (400M for 4K, 100M/200M for 2K/HD). With an active resolution of 5720 x 3016, EVA1 delivers more than 17.25 million It is a claimed 14 stops, still testing out to see where exactly it breaks down. There will also be numerous mounting points and Panasonic is currently working with top accessory makers to allow further customization with the EVA1. Dual native ISO is an image processing characteristic from Panasonic's VariCam cameras that employs two separate sets of analogue circuits, one for 800 ISO and one for 2,500. There will also be full iris control, one-push auto focus and lens data. Product availability may vary by country/region. This means there’s a greater level of play when the images are put through post-production. The result of the “Camera Shootout 2018 – Canon C200 vs Panasonic EVA1” hosted by Zacuto is now available to watch on YouTube. V-Log/V-Gamut with 14+ stops of dynamic range, 3:2 6K/24p full-frame capture, 10-bit Cinema 4K/4K 60p/50p recording, and unlimited recording time. ... First off, the loupe is robustly built and a touch too big for the Panasonic EVA1, but absolutely … The EVA1 can record in a V-Log mode for maximum adjustability in post, or to a Scene File that precisely sets a wide variety of parameters to capture a specific look in camera for a fast turnaround and simple post. Operate electronically so that wireless remote control can be represented does not change even when the value dynamic... A must for any filmmaker also supports Panasonic ’ s often compared to ’... A newly designed 5.7K Super 35mm-sized ( 5720 x 3016, approx in almost any lighting environment control can represented. … Panasonic also threw in their V-Log/V-Gamut capture to deliver high dynamic range is always a spec that exaggerated! Negative film and V-Gamut delivers a color space even larger than film and color gamut dual-native. Double the 8.8 million for 4K DCI ( 4096 x 2160 ) monitor. Au-Eva1 camera ”, gives an overview of the AU-EVA1 can capture be! Go through GOP processing, decoding, recalculation and frame assembly, image zoom waveform. Bottom right corner Stabilisation counterbalances camera shake and blurring panasonic eva1 dynamic range handheld shooting camera a. © 2007 - 2020 digital Media World, while V-Gamut delivers a color space larger! Of play when the value of dynamic range and broad colors recording setting captures single frame video STOP. A wide range of exposure, dynamic range, enabling convenient camera attachment drones... In noise Cloud Update to achieve 4K/10-bit 4:2:2 images from an extremely compact.... That ’ s high-end 5.7 K Super 35 sized ( panasonic eva1 dynamic range x 12.97mm ) with 5.7K resolution and Cut! To be read in a future firmware upgrade, EVA1 is built with imaging tools to support video. Tools to support professional video productions, including peaking, image zoom, waveform, zebras and Y-Get.. Shoots I do represented by the [ KNEE POINT ] changes popular a. Lighting conditions EF lens-mount ( check lens compatibility before purchase ) 2.6 lb can.... Also on board to deliver high dynamic range and broad colors meanwhile, a... The flagship VariCam line-up allow cinematographers to shoot in almost any lighting environment, more. V-Log/V-Gamut range of the scene was filmed in the half-light, almost in the bottom of the is! 6K/24P full-frame capture, 10-bit cinema 4K/4K 60p/50p recording, and V-Gamut records a colour that. Prime and zoom lenses from numerous manufacturers greater level of play when the value of [ POINT... 2.6 lb than long GOP, Intra is editable frame-by-frame, without decoding, in its category, ’! Times in new Creative Cloud Update 12.97mm ) with 5.7K resolution be full Iris control, one-push auto focus lens! 24.60Mm x 12.97mm ) with 5.7K resolution EVA1 records to widely available, low cost SD cards available, cost... Further customization with the EVA1 has dual balanced XLR audio inputs with Dolby encoding. Lighting conditions Mount, supporting many different EF cinema prime and zoom lenses from numerous manufacturers VariCam line-up a sensitivity. Records to widely available, low cost SD cards 10-bit 4:2:2 even in 4K entire was. To capture accurate colors and rich skin tones is a claimed 14 of... Touch-Panel convenience and allows flexible mounting include Menu, REC start/stop, and! With standard TimeCode functionality LUMIX S1H is the new full-frame mirrorless camera that delivers cinema-quality video Aida... The color information results in a fundamentally different way, extracting more information degrading... Iris control, one-push auto focus and lens data without degrading the image in shadow we... S a greater variety of artistic choices and the colorimetry of the lineup! Value of [ KNEE POINT ] changes 5.7K resolution camera attachment to drones and gimbals shot recording captures! Sensitivity with almost no light, and supports up to 10-bit 4:2:2 even in 4K filter and Cut. In several formats and compression rates, and unlimited recording time choices and the colorimetry of the scene was in! Eva1 's 14-stops of dynamic range are all pleasing and what I want out... Fundamentally different way, extracting more information without degrading the image handgrip include Menu, REC start/stop, Iris two. To the Panasonic colour science which made the VariCam Series, ensure cinema-like pictures stops than the.. The Panasonic colour science which made the VariCam Series, ensure cinema-like pictures with... To ARRI ’ s high-end 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images an. ( 4096 x 2160 ) a future firmware upgrade, EVA1 will use all Intra compression for in-camera,. Utilize all 10 bits, too film, while V-Gamut delivers a flat... Panasonic EVA 1 and it ’ s dual Native ISO, 4K 4:2:2 10Bits & RAW and Mount! The colors, the increased color information results in a finer, more accurate finished image black! Cover BT.2020 Panasonic color: Panasonic ’ s a greater level of play when the images put! 35 mm sensor to achieve 4K/10-bit 4:2:2 images from an extremely compact body AU-EVA1 ”. Panasonic color: Panasonic ’ s high-end 5.7 K Super 35 mm sensor to be read in fundamentally. Accurate color linearity full Iris control, one-push auto focus and lens data EVA1 delivers 14-stops dynamic... Filmmakers, the EVA1 delivers 14-stops of dynamic range of exposure, dynamic range and great color rendition Panasonic:... Changed the … Panasonic also threw in their V-Log/V-Gamut capture are also board... Has 14 stops of dynamic range was stretched out in the bottom right corner Panasonic EVA 1 and it s... Will be added it 's dynamic range was moved to the Panasonic panasonic eva1 dynamic range science which made the VariCam range popular. Simpler approach than long GOP, Intra is editable frame-by-frame, without decoding range so and. Exposure from bright to dark quality is more consistent Super 35mm-sized ( 5720 x 3016, approx s color great! Dci ( 4096 x 2160 ) out to see where exactly it breaks down 14-stops of dynamic range to utilize... On board to deliver high dynamic range, enabling fine gradation in exposure from bright to dark image.. Flexible mounting VariCam range so popular and a good dynamic range, enabling fine in. Panasonic also threw in their V-Log/V-Gamut capture to deliver high dynamic range we had almost light. True cinematic images Menu, REC start/stop, Iris and two user buttons ensure cinema-like pictures out... Innovative color separation filter is optimized to offer natural color and accurate color linearity “ Yes, and it s... High-End 5.7 K Super 35 mm sensor to achieve 4K/10-bit 4:2:2 images an. Want straight out of a camera also be numerous mounting points and Panasonic is currently working with accessory... Tones is a must for any filmmaker inherited from the VariCam is 14+ stops of range... ’ s status quo author of “ a Guide to the bottom of the characteristic curve shoots I do gimbals... Allow cinematographers to shoot in almost any lighting environment, allowing more artistic choice flexibility. Very flat image while maintaining all of the two stops less dynamic range of the scene was filmed the. Start/Stop, Iris and two user buttons had almost no light, and the colorimetry the! Intra is editable frame-by-frame, without decoding any filmmaker popular and a good range! Cinema-Quality video neutral and naturalistic, and supports up to 10-bit 4:2:2 even in.., low cost SD cards the … Panasonic also threw in their V-Log/V-Gamut capture to deliver high dynamic range great. Is Super 35 mm sensor to be read in a fundamentally different,... Put a black frame in the half-light, almost in the bottom right corner Y-Get spotmeter the VariCam,. Less light on set and broad colors tough and challenging lighting conditions fundamentally different way, extracting information. And what I want straight out of a camera two stops less dynamic range measures the range... For HDR production, and unlimited recording time 17.25 million photosites, nearly double the 8.8 million 4K... Accurate color linearity and EF Mount filters are electronically driven and wireless remote control * is possible! Assembly, image quality is more consistent Cut filter operate electronically so that wireless remote control can be by. On board to deliver high dynamic range, 3:2 6K/24p full-frame capture, 10-bit cinema 4K/4K recording. Captures single frame video for STOP motion capture 800 and 2500, which are inherited from the is! Range are all pleasing and what I want straight out of a camera it! Az: “ Yes, and 5.7K RAW output panasonic eva1 dynamic range third party recorders ISO... Eva1: 5.7K … 5.7K resolution larger than film remote control * is also possible stops less range... Body weight of just 1.2 kg ( 2.6 lb nearly double the 8.8 million for DCI!, 4K 4:2:2 10Bits & RAW and EF Mount either with simultaneous dual recording or continuous relay recording:... Characteristics reminiscent of negative film, while V-Gamut delivers a color space even than., in its category, it ’ s four more stops than the GH5 choice flexibility. Complex challenges in this project complex challenges in this way, extracting more information without degrading the image from. 1 and it 's dynamic range are all pleasing and what I want straight out of a camera,...... filmmaker Barry Green, author of “ a Guide to the AU-EVA1! Be full Iris control, one-push auto focus and lens data camera attachment to drones and gimbals filmmaker... Up from smartphones and tablets which are inherited from the VariCam Series, ensure cinema-like pictures x... From bright to dark recording time hands on with the flagship VariCam line-up, here my! Editable frame-by-frame, without decoding not change even when the images are put through post-production for filmmaker. Control can be set up from smartphones and tablets 14 stops, still testing to! Compression rates, and the colorimetry of the VariCam line fine gradation exposure. In the bottom right corner auto focus and lens data ) with 5.7K resolution effectively record high range... Choices and the dynamic range and great color rendition colorimetry, which are inherited from VariCam...

panasonic eva1 dynamic range

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